Film Review: Annabelle Comes Home (2019)
Synopsis
"Annabelle Comes Home" is a supernatural horror film that delves into the origins and sinister influence of the infamous doll, Annabelle. Directed by Gary Dauberman, the film serves as the third installment in the "Annabelle" series and works as a sequel to "Annabelle" (2014) and "Annabelle: Creation" (2017), as well as a direct continuation from "The Conjuring" series.
Set in the late 1970s, the story begins with Ed and Lorraine Warren, paranormal investigators played by Patrick Wilson and Vera Farmiga, as they secure the cursed doll in their artefact room. The Warrens believe that by locking Annabelle away, they can protect the world from her malevolence. However, when they leave for a night of paranormal investigation, their 10-year-old daughter Judy (McKenna Grace) is left in the care of their babysitter, Mary Ellen (Madison Iseman).
The plot thickens when Mary Ellen’s friend, Daniela (Katie Sarife), a curious teen grieving her father’s death, visits and inadvertently unleashes Annabelle’s dark powers. As the night unfolds, the doll becomes the catalyst for a barrage of vengeful, supernatural entities. The three girls must confront their fears and fight for their lives, as Annabelle’s presence brings chaos and terror into the Warren household.
Cast of Characters
- McKenna Grace as Judy Warren
- Madison Iseman as Mary Ellen
- Katie Sarife as Daniela Rios
- Patrick Wilson as Ed Warren
- Vera Farmiga as Lorraine Warren
- Wallis Currie-Wood as a school friend
- Gabriel Bateman as a young boy (cameo)
- Michael Cimino as Bob, Mary Ellen’s love interest
- Steve Coulter as Father Kastner
Review
From the outset, "Annabelle Comes Home" sets a menacing tone. Dauberman, making his directorial debut, builds upon the groundwork established in previous films. The film’s strength lies in its atmospheric tension and skillful pacing. Immediately, audiences are gripped by the juxtaposition of the mundane domestic setting juxtaposed with impending dread. An early sequence shows the Warrens carefully sealing Annabelle away, foreshadowing the uncontrolled chaos that will follow once she’s freed.
The performances are commendable, especially McKenna Grace as Judy Warren, who embodies a tangible innocence and vulnerability while facing the malevolent forces unleashed around her. Grace’s portrayal goes beyond the typical horror protagonist, giving the character depth as she wrestles with the legacy of her parents’ work and the weight of her destiny. Madison Iseman as Mary Ellen is equally engaging, showcasing a blend of bravery and trepidation that resonates throughout the film. The physical chemistry between the two young actresses adds an emotional layer, making their plight more relatable and impactful.
Katie Sarife’s character, Daniela, introduces additional complexity. Her motivations are rooted in a deep-seated grief and the desire for closure regarding her father’s death. This personal narrative enriches the film’s themes of loss and the consequences of one’s actions, contrasting starkly with the supernatural chaos that ensues.
The film excels in its use of creature design and practical effects. The entities unleashed by Annabelle are visually striking and horrifying, with the filmmakers opting for a more grounded approach rather than excessive CGI. This choice amplifies the tension, as each encounter feels more immediate and visceral. From the feisty werewolf-like spirit to the menacing grim reaper, each monster is unique and adds depth to the overall horror landscape.
The cinematography by Michael Burgess is noteworthy as well, employing tight framing during crucial moments to heighten suspense. The house, a character in its own right, feels both claustrophobic and expansive, allowing for moments of genuine fright through unexpected scares and unsettling imagery that lingers long after the credits roll.
While "Annabelle Comes Home" is undoubtedly an effective horror film, it bears the hallmark of being somewhat derivative. At times, the narrative relies on familiar horror tropes, which may seem predictable for seasoned fans of the genre. Quick scares punctuated by loud sound effects can become routine, leading to moments where the fear might not feel as fresh or impactful. However, the film cleverly uses these clichés to build a sense of nostalgia for classic horror, appealing to audiences who savour the genre’s traditional conventions.
The script, written by Dauberman, does a commendable job in establishing character motivations and backstories, yet it occasionally stumbles in its pacing. The middle section, where most of the horror is unleashed, sometimes feels stretched; moments of tension could have been more tightly edited for maximum impact. The film’s real threat is the element of isolation, but at times, it loses focus on establishing the girls’ predicament, instead getting sidetracked by the existing lore of Annabelle.
However, the film makes a triumphant return in its climax, where the layers of horror entwine, and the stakes are raised tremendously. The scenes leading to the finale are nerve-wracking, fully immersing the audience in the terror experienced by the protagonists. It becomes apparent that ultimately, "Annabelle Comes Home" is not just about surviving the night but also about confronting personal demons and coming of age against insurmountable odds.
In conclusion, "Annabelle Comes Home" successfully expands upon the chilling universe of the "Conjuring" franchise while elevating the legacy of its titular character. With solid performances, immersive horror elements, and an engaging narrative, it’s a noteworthy addition that, while not without its flaws, delivers an entertaining experience for both long-time fans and newcomers alike. Dauberman’s debut as a director shows promise, and it’s exciting to think about what horror narratives he may craft in the future.
Score: 7.5/10
The film thrives on its ability to blend the supernatural with human experience, making it a haunting exploration of family, loss, and the consequences of curiosity. It may not redefine the genre, but it certainly cements Annabelle’s place in modern horror.
