Movie Review: Candyman (2021)
Synopsis
“Candyman,” directed by Nia DaCosta and co-written by DaCosta, Jordan Peele, and Win Rosenfeld, serves as both a sequel and a spiritual successor to the 1992 film of the same name, which was based on a short story by Clive Barker. Set in the now-gentrified neighbourhood of Cabrini-Green in Chicago, the film explores the legacy of the urban legend of Candyman, a vengeful spirit summoned by those daring enough to utter his name five times in a mirror.
The story follows Anthony McCoy (Yahya Abdul-Mateen II), a struggling artist who becomes intrigued by the story of Candyman while seeking inspiration for his latest work. As he delves deeper into the legend, he unknowingly begins to unleash the dark powers of Candyman, leading to a series of gruesome murders that reawaken fears tied to the figure who was once a Black artist brutally murdered by a racist mob. The film explores themes of gentrification, systemic racism, and the cyclical nature of trauma, all framed through Anthony’s journey as he grapples with his own identity and heritage, along with the repercussions of invoking the Candyman legend.
As Anthony’s sanity deteriorates and he becomes increasingly entranced by the mythos surrounding Candyman, he inadvertently puts his girlfriend, Brianna Cartwright (Teyonah Parris), in danger, as she finds herself caught in the crossfire of Anthony’s dark obsession. The film builds tension as the lines between art and reality blur, with the Candyman existing as a metaphor for societal horrors as much as a tangible threat.
Seamlessly blending horror with social commentary, “Candyman” re-examines the themes of cultural appropriation, historical violence, and the legacy of trauma, culminating in a haunting exploration of identity and the stories that define us.
Cast of Characters
- Yahya Abdul-Mateen II as Anthony McCoy: A talented visual artist whose obsession with the Candyman legend leads to tragic consequences.
- Teyonah Parris as Brianna Cartwright: Anthony’s girlfriend, who supports his artistic journey but soon finds herself grappling with the consequences of their explorations.
- Nathan Stewart-Jarrett as Grady: Anthony’s friend and fellow artist, who serves as a confidant and catalyst for Anthony’s growing obsession.
- Colman Domingo as William Burke: A pivotal character who shares the historical narrative of Candyman with Anthony, revealing the tragic past intertwined with the legend.
- Rebecca Spence as Virginia: An important figure linked to the Candyman story who provides insights into the lore.
- Finley Rose Slater as Anthony (child): Portraying Anthony as a child adds depth to his character and connects the narrative to his past.
- Kyle Kaminski as Brianna’s brother: Serving as a minor character, he adds to the familial context surrounding Brianna.
Review
“Candyman” (2021) emerges as a stark reflection on contemporary societal issues, surpassing its horror genre roots to deliver a profound critique of race, identity, and the haunting nature of history. DaCosta’s directorial vision, combined with Peele’s intricate storytelling, breathes new life into the Candyman mythos while maintaining an eerie atmosphere that grips the viewer from the outset.
The cinematography by John Guleserian captures the haunting beauty of the Cabrini-Green neighbourhood, juxtaposing its gentrification with the blood-soaked history of Black trauma. The choice of framing and shadow creates an oppressive atmosphere filled with dread, effectively mirroring Anthony’s mental descent. The use of reflections—mirrors and glass—is particularly significant, symbolising the fragility of identity as well as the literal embodiment of the Candyman legend.
Abdul-Mateen II delivers a gripping performance, portraying Anthony as a complex character whose psychological transformation is both disturbing and heartbreaking. His journey from an interested artist to a vessel for Candyman encapsulates the film’s commentary on the commodification of Black trauma and the appropriation of Black pain for artistic expression. Through Anthony’s experiences, the film skilfully navigates the murky waters of inspiration versus exploitation.
Parris’s performance as Brianna provides a much-needed counterbalance to Anthony’s descent. She embodies strength and vulnerability, reflecting the internal conflict faced by those who wish to support their loved ones while also grappling with their own fears. The dynamic between Anthony and Brianna becomes a poignant exploration of love caught amidst a legacy of violence, demanding empathy from the viewer.
Domingo shines in his role as William Burke, a character that weaves together the threads of history and horror. His compelling recounting of the Candyman tale not only serves as a narrative device but also speaks to the broader implications of storytelling within communities. His character reinforces the film’s exploration of the cyclical nature of violence, trauma, and the importance of memory—both collective and personal.
The film’s sound design is equally impressive, using unsettling ambient noise and a haunting score to heighten the tension. The creaking of old buildings, the whispers of the wind, and the chilling echo of the Candyman’s name create a sensory experience that envelops viewers, immersing them in the characters’ dread. The integration of sounds and visuals reinforces the film’s thematic undercurrents, fusing horror with cultural resonance.
The screenplay adeptly blends moments of horror with sharp, incisive commentary, avoiding heavy-handedness while inviting critical thought. The use of urban legends as a framework for exploring complex issues surrounding race and trauma is both clever and impactful. Rather than relying solely on jump scares, “Candyman” opts for psychological horror rooted in real-world experiences, allowing the audience to reflect on the inherent fears tied to a legacy of pain and remembrance.
However, while the film is undeniably powerful in its social commentary and thematic depth, there are moments where the pacing feels uneven, particularly in the first act. The slow build creates an atmosphere of dread but may test the patience of some viewers expecting a more traditional horror experience. Additionally, while the concluding moments aim for a profound significance, they occasionally tread perilously close to convoluted territory, risking the clarity of its messages.
Despite these minor criticisms, “Candyman” thrives as both a potent horror film and a thought-provoking discourse on race, identity, and the narratives that shape us. It successfully revitalises the Candyman legend while imbuing it with a contemporary relevance that resonates deeply in today’s sociopolitical climate. The film stands as an essential watch not only for horror enthusiasts but also for those seeking a poignant exploration of the haunting power of stories.
In conclusion, “Candyman” (2021) extends far beyond your average horror film, positioning itself as a profound narrative that challenges viewers to confront uncomfortable truths while engaging with the horror genre on a deeper level. Its exploration of the relationship between art, trauma, and identity is a testament to what modern horror can achieve when paired with intelligent storytelling.
Score: 8.5/10
With a compelling narrative, strong performances, and thought-provoking themes, “Candyman” is a commendable addition to the horror genre that leaves a lasting impact, urging audiences to reflect on the untold stories borne of historical atrocities and the intertwined legacies of those who came before us.
