Movie Review: Lights Out (2016)
Synopsis
"Lights Out," directed by David F. Sandberg, is a supernatural horror film based on the director’s acclaimed short film of the same name. The movie revolves around an unnerving presence that appears in the dark, tormenting individuals who dare to turn off the lights. The story primarily centres on Rebecca, a young woman who must confront her childhood fears when her mother, Sophie, begins to experience terrifying manifestations of an invisible entity known as Diana. As Rebecca’s younger brother, Martin, falls prey to the spectre’s sinister influence, she races against time to unravel Diana’s traumatic past to save Martin and confront the darkness that has plagued their family for years.
Actors and Characters
- Teresa Palmer as Rebecca
- Gabriel Bateman as Martin
- Maria Bello as Sophie
- Alexander DiPersia as Bret
- Billy Burke as Paul
- Lotta Losten as the Voice of Diana
- Annabelle Wallis as the Care Assistant
Review
"Lights Out" opens with a chilling sequence that sets the tone for what is to follow: an innocent woman, haunted by her own paranoia and trauma, is brutally confronted by the dark force that lingers just beyond the reach of light. It’s a simple but effective introduction to the film’s central theme—the juxtaposition of light and darkness—and it captures the audience’s attention immediately. This initial scene employs classic horror techniques such as suspenseful camera angles, eerie sound design, and well-timed jump scares, all while prompting viewers to question the nature of fear itself: is it merely the absence of light, or does it extend deeper into the psyche?
The cinematography, overseen by Marc Spicer, employs shadows to great effect as the film explores the notion that fear thrives in darkness. Be it creeping figures in dimly lit rooms or the all-encompassing void that encapsulates Martin and Rebecca’s home, the interplay between light and darkness serves as a visual metaphor for confronting one’s fears. Each flicker of the screen enhances the tension, leaving viewers on the edge of their seats.
Teresa Palmer’s portrayal of Rebecca is commendable, as she embodies a young woman burdened by the weight of her family’s trauma. Her journey to reclaim control over her fears is relatable, and we watch her transform from a character wracked with anxiety and indecision to one who takes charge of her fate. Gabriel Bateman, as Martin, delivers a compelling performance that captures the innocence of childhood riddled with fear. His interactions with Rebecca evoke a protective instinct, causing the audience to root for their survival.
Maria Bello’s performance as Sophie, Rebecca’s mother, is also noteworthy. She walks the fine line between the desperate need for her children’s love and the palpable torment of her mental instability. Sophie’s struggles with her past trauma and the resulting descent into madness form the emotional backbone of "Lights Out." The exploration of her character highlights a common horror trope: how unresolved psychological issues manifest in frightening ways, affecting both the individual and their loved ones.
At its core, "Lights Out" is not merely a film about a supernatural entity; it delves into themes of mental illness, familial bonds, and the scars left by trauma. Diana, the spectre that haunts the family, serves as a physical representation of the darkness that can seize control of one’s life—often driven by unresolved grief, loss, and fear. As the narrative unfolds, we learn that Diana is not simply a monster but rather a tragic figure, confined to the shadows and rejected by the light. This addition of depth to what could have been a straightforward horror film elevates "Lights Out" into a conversation about the nature of fear itself: whether it comes from a tangible threat or something much deeper and more personal.
The pacing of the film is commendable; Sandberg effectively builds suspense throughout, allowing for moments of levity that breathe a sense of normalcy into the unfolding chaos. However, it is within the horror scenes that Sandberg truly shines, skilfully crafting an atmospheric terror that lingers long after the end credits roll. The use of clever sound design, accompanied by inventive staging, keeps the viewer engaged with each revelation, making each jump scare feel earned rather than cheap.
That said, "Lights Out" does occasionally falter in its execution. There are instances where the film veers into predictable territory, relying on familiar horror clichés that may detract from its otherwise strong narrative. The character of Bret, Rebecca’s boyfriend, while played well by Alexander DiPersia, serves more as a vehicle for exposition and less as a fleshed-out character, which dilutes some of the emotional stakes. Despite these shortcomings, the film’s strengths significantly outweigh its flaws.
One of the film’s most impressive achievements is its visceral ability to evoke primal fears rooted within us all. The notion of the dark holds a universal fear, and "Lights Out" taps into this with finesse. As the story progresses, it challenges viewers to confront their own phobias and highlights the emotional weight that can anchor family dynamics.
A notable aspect of the film is its clever use of light as a weapon against fear. The characters’ struggle against Diana’s influence underscores the notion that whatever scares us will always find a way to slip into our lives unless we confront it head-on. The film cleverly manipulates lighting—in one scene, a mere flick of the switch reveals horrid truths, while the absence of illumination allows the horror to thrive.
The final act delivers a thrilling conclusion that brings together the narrative threads and confronts the spectre’s tragic backstory. While the resolution may not satisfy everyone, it wraps up the emotional arcs and reminds audiences that while fear can be overwhelming, there exists a capacity for courage, reconciliation, and overcoming past traumas.
In conclusion, "Lights Out" emerges as a compelling horror film that combines effective scares with deeper psychological elements. David F. Sandberg’s directorial debut showcases his ability to create an atmosphere rife with tension while addressing the realities of familial relationships and the legacy of trauma. The performances are strong across the board, led by a heartfelt portrayal from Palmer, while the chilling visual storytelling stimulates a sense of dread that resonates well beyond the theatre experience. Despite minor weaknesses, "Lights Out" is a significant addition to the contemporary horror genre.
I would rate "Lights Out" a solid 8/10. It effectively manages to balance genuine scares with poignant emotional themes, making it a relatable horror experience for anyone who has ever felt the weight of darkness pressing too closely.
