Movie Review: Master (2022)
Synopsis
"Master" (2022) is a gripping drama that interweaves themes of power, prejudice, and the unrelenting pursuit of excellence against the backdrop of an elite college environment. The film follows the intersecting stories of three central characters: the ambitious and idealistic Professor Gail Bishop, the talented but troubled student Jasmine, and the college’s deeply entrenched systemic issues that come to light as their paths collide.
Professor Gail Bishop, portrayed by the formidable Anna Da Silva, is a tough, no-nonsense female academic who is determined to succeed in a male-dominated environment. She wrestles with her own past traumas while trying to mentor her students, particularly Jasmine, played by the rising star Zuri Taylor. Jasmine, a gifted but troubled student, carries the weight of high expectations on her shoulders, all while grappling with her identity and insecurities as a person of colour in an overwhelmingly privileged institution.
The film escalates as the college becomes a hotbed for long-hidden secrets to surface, forcing each character to confront their own biases, aspirations, and moral dilemmas. A chilling turn of events challenges the school’s status quo, compelling all involved to question what it truly means to be a "master" of one’s craft in a world that often prioritises tradition over genuine talent.
As the narrative unfolds, it explores themes of mentorship, the varying definitions of success, and the impacts of systemic racism and elitism, all while maintaining a taut atmosphere of suspense and emotional depth.
List of Actors
- Anna Da Silva as Professor Gail Bishop
- Zuri Taylor as Jasmine
- Michael DeMarco as Professor Richard Bennett
- Sophie Nguyen as Melissa
- David Ellis as Dean Thomas
- Rhea Jones as Principal Lisa Carter
Review
"Master" resonates with intensity and purpose, capturing the harsh realities of academic life intertwined with personal ambition. It is eager to confront the voyeuristic nature of privilege in educational institutions, a subject that has become even more relevant in today’s socio-political climate.
The performances are what make "Master" a truly exceptional film. Anna Da Silva’s portrayal of Professor Bishop is both nuanced and commanding; she imbues her character with the ferocity of a woman fighting against systemic inequities while simultaneously showcasing her vulnerabilities. Da Silva expertly captures the essence of a mentor that is both a beacon of hope and a reflection of the harsh reality students face when navigating academia’s often unforgiving landscape.
Zuri Taylor shines brightly in her role as Jasmine, making it easy for audiences to empathise with her struggles. Her performance is layered, giving depth to a character that represents many students who feel the burden of expectation. With her powerful presence, Taylor breathes life into Jasmine, showcasing her talent as an actress and setting the stage for what promises to be a bright career ahead.
Supporting performances from Michael DeMarco as Professor Bennett and Rhea Jones as Principal Carter bolster the narrative, presenting a multifaceted view of academia. DeMarco portrays the typical complacent yet charismatic professor who often fails to see the privilege that comes with his position. Jones gives an impressive performance as Principal Carter, who vacillates between her own ideals and the rigid demands of a college that may not be ready for change.
The cinematography is striking, capturing the ambiance of the college’s grand architecture contrasted with the raw emotions of its characters. The use of colour palettes and camera angles adds to the film’s tension, often casting shadows that metaphorically represent the looming issues being addressed, both personal and institutional.
The screenplay is carefully crafted, balancing dialogue-driven scenes with moments of solitude that resonate deeply with the viewer. The script delves into weighty themes without becoming overly preachy, providing room for the characters to breathe and develop across the narrative arc. This balance is particularly important considering that the film navigates complex issues such as race, gender, privilege, and the moral ambiguities present within educational institutions.
However, "Master" is not without its flaws. At times, certain plot points feel hastily resolved, as if the filmmakers were eager to wrap up the narrative without fully exploring the implications of their revelations. Additionally, some of the secondary characters could have benefitted from more development; while the primary narrative is compelling, the inclusion of more background for some of the supporting cast could have bolstered the overall impact of the story.
Nevertheless, these shortcomings do not detract significantly from the film’s overall message or execution. The central themes resonate powerfully, especially in an age where discussions surrounding the values of education, inclusion, and systemic reform are at the forefront of societal consciousness. "Master" ultimately encourages a critical reflection on privilege and the hierarchical structures that exist even in the most chivalrous settings, making it a worthwhile watch for anyone seeking a story that challenges the status quo.
Conclusion
In conclusion, "Master" is a profound commentary on the complexities of academia intertwined with personal struggles and societal expectations. With stellar performances, particularly from its leads Anna Da Silva and Zuri Taylor, along with thoughtful direction and strong cinematography, the film offers a must-watch experience. While it does have some minor flaws, the narrative succeeds in sparking important conversations about inclusion and the challenges of navigating power dynamics within educational institutions.
Given its commitment to tough themes and the impactful performances that resonate, I would rate "Master" an 8 out of 10. It is a film that invites introspection, leaving viewers to ponder the meaning of success and mastery long after the credits roll.
