Movie Review: Repulsion (1965)
Synopsis
“Repulsion,” directed by Roman Polanski, is a haunting psychological horror film that explores themes of isolation, sexual paranoia, and the fragility of the mind. Set in London in the 1960s, the story follows Carol Ledoux, played brilliantly by Catherine Deneuve, a young Belgian manicurist who is living in a derelict flat with her more sexually liberated sister, Helen. As the film unfolds, we witness Carol’s gradual descent into madness triggered by both her overwhelming fear of men and her increasingly claustrophobic living environment.
At the outset, Carol is portrayed as a reserved and introverted woman, her character an enigma cloaked in stillness. She works in a nail salon, where her beauty is both an asset and a source of distress. Carol’s life is disrupted when her sister announces that she is going away with her boyfriend, leaving Carol alone in their flat. Alone, the psychological aspects of Carol’s character begin to bubble to the surface, revealing her tumultuous relationship with her own sexuality and fear of intimacy.
The film takes a sinister turn when Carol begins to have disturbing hallucinations — the textures of her living space become overwhelming, and she perceives men as threatening figures who invade her space. The film’s use of disorienting angles, abrupt cuts, and a chilling score enhances Carol’s psychological disintegration. As her mental state spirals, her interactions with the world grow increasingly violent, culminating in acts of brutality that reflect not only her inner turmoil but also her desperate need for control over her life.
“Repulsion” expertly intertwines horror with the emotional and psychological struggles of its lead character, offering a glimpse into the complexities of female psyche while also functioning as a critique of societal views on women and sexuality. The film culminates in a series of haunting images that leave the audience questioning the nature of reality and madness.
List of Actors and Their Characters
- Catherine Deneuve as Carol Ledoux
- Yvonne Furneaux as Helen Ledoux
- John Fraser as Colin
- Patrick Wymark as the Man at the Door
- Jane Asher as a colleague at the salon
- Dawn Addams as a customer
Conclusion
Roman Polanski’s “Repulsion” stands as a cinematic landmark that resonates deeply with the anxieties of the 20th century, particularly in its unflinching portrayal of a woman’s internal struggle with fear and isolation. Catherine Deneuve delivers a haunting performance that captures the essence of despair mingled with beauty. The film’s craftsmanship in terms of direction, cinematography, and sound design creates an oppressive atmosphere that skilfully mirrors Carol’s deteriorating mental state.
While it may not resonate with every viewer due to its stark and challenging themes, “Repulsion” is undeniably significant, offering an introspective look into the complexities of female identity and psychological breakdown. Polanski’s ability to craft a narrative that is as visually arresting as it is thematically rich allows the film to transcend its genre, becoming a cornerstone of psychological horror.
With a masterful blend of tension, atmosphere, and unvarnished realism, “Repulsion” earns a score of 9 out of 10 for its groundbreaking approach to horror, its profound performances, and its lasting impact in the cinematic landscape. The film invites multiple interpretations, encouraging discussions about feminism, mental health, and societal expectations of women, ensuring its place as a timeless and relevant work.
