The Black Phone (2021) – Movie Review
Synopsis:
In the chilling horror film "The Black Phone," directed by Scott Derrickson, we are taken to a desolate suburban neighbourhood in the late 1970s. The film follows the harrowing tale of a young boy named Finney Shaw (Mason Thames), who is abducted by a sinister figure known as "The Grabber" (Ethan Hawke). Once captured, Finney finds himself trapped in a soundproof basement, where he discovers an old black rotary phone that does not appear to be operational. To his shock, Finney begins to receive calls on the phone from the Grabber’s previous victims, each imparting vital information to help him escape. As the story unfolds, a parallel narrative emerges, focusing on Finney’s sister, Gwen Shaw (Madeline McGraw), who possesses psychic abilities and is determined to find her brother before it’s too late. "The Black Phone" masterfully combines elements of psychological horror and supernatural thriller, delving into themes of bravery, resilience, and the bond between siblings.
List of Actors:
- Ethan Hawke as The Grabber
- Mason Thames as Finney Shaw
- Madeline McGraw as Gwen Shaw
- Jeremy Davies as Terrence Shaw (the father)
- Riggins as The Grabber’s dog (uncredited)
- E. Roger Mitchell as Detective (uncredited)
- Scott Derrickson as the Voice in the Black Phone (uncredited)
Review:
"The Black Phone" emerges as one of the most compelling horror films of recent years, weaving a narrative that is both haunting and deeply resonant. Scott Derrickson, known for his previous work on "Sinister," takes a methodical approach, crafting a film that effectively builds dread and tension from the outset. The film is set within a vivid and authentic representation of the 1970s, a choice that not only grounds the story in a historical context but also evokes a palpable sense of nostalgia for the era.
Ethan Hawke delivers a chilling performance as The Grabber, whose enigmatic and terrifying presence permeates the film. Hawke’s ability to vacillate between charismatic and menacing adds layers to his character, making The Grabber feel both plausible and horrifying. The character’s flamboyant mask collection, each with its unique personality, adds an unsettling touch, ensuring that each appearance sends a bolt of fear through both Finney and the audience.
Mason Thames as Finney Shaw carries a significant portion of the film’s emotional weight. Thames portrays a young boy caught between the innocence of youth and the harsh realities of his grim situation. His journey towards resilience is portrayed with authenticity, seamlessly encapsulating the panic, vulnerability, and eventual courage that any child might muster when facing unfathomable trauma. The character’s evolution from a frightened boy to one who will not succumb to his captor is powerful and poignant, resonating with viewers on multiple levels.
Madeline McGraw as Gwen Shaw offers a striking performance, portraying her character with an intensity that complements Finney’s narrative arc. Gwen’s psychic abilities become a narrative device that intertwines with the horror elements and serves to heighten the stakes. The bond between the siblings remains a focal point of the film, and her determination to locate Finney underscores themes of love and loyalty. McGraw’s portrayal is not merely supplementary; it is a critical component of the film’s emotional core, providing both tension and solace.
The pacing of "The Black Phone" is particularly commendable. Derrickson maintains a tight rhythm throughout, ensuring that the audience remains engaged. The narrative intersperses Finney’s current predicament with flashbacks that illuminate the lives of The Grabber’s previous victims. These segments serve not just as a method of foreshadowing but also as a chilling reminder of the consequences of fear and abuse. The film masterfully balances its horror elements with moments of genuine emotional depth, allowing for a more nuanced exploration of its themes.
One of the standout aspects of "The Black Phone" is its cinematography. The film employs a muted colour palette reminiscent of age-old photographs, enhancing the nostalgia while also contributing to the overall sense of dread. The stark contrast of light and shadow is expertly executed, creating claustrophobic environments that echo the bleakness of Finney’s captivity. Derrickson’s use of sound is equally impressive; the disquietude created by the absence of sound within the basement amplifies the horror, while the eerie ring of the black phone is a constant reminder of lurking dangers and unanswered questions.
The supernatural elements are seamlessly integrated into the narrative as well. The expository phone calls from deceased victims are cleverly woven into Finney’s escape plan, acting as a narrative device that not only escalates suspense but also introduces the potential for hope amidst despair. The messages received from the dead inform Finney of the Grabber’s weaknesses while also providing him with cryptic instructions for his escape, creating a layered suspense that keeps the audience on edge.
It’s worth noting that while "The Black Phone" is firmly entrenched in horror, it also invites viewers to reflect on deeper issues. Themes of childhood trauma, abuse, and familial bonds are explored with sensitivity and depth. Finney’s restrained relationship with his father serves as a haunting backdrop to his abduction, echoing the notion that monsters can often wear familiar faces. The nuances of guilt and regret in the portrayals of parental figures are particularly poignant, raising questions about protection and vulnerability in the face of insidious evil.
In conclusion, "The Black Phone" stands out in the horror genre for its expert craftsmanship and compelling performances. The film succeeds in creating an unnerving atmosphere that captures the essence of fear while simultaneously exploring the profound connections between siblings. With exceptional performances from the cast and a tautly woven plot, Derrickson’s film resonates long after the credits roll. It is a vivid reminder of the strength of the human spirit when faced with unimaginable darkness. I would rate "The Black Phone" a solid 8.5 out of 10, recommending it to anyone looking for a thought-provoking horror film that masterfully blends real terror with emotional depth.
