Movie Review: Dawn of the Dead (1978)
Synopsis:
Dawn of the Dead, directed by George A. Romero and released in 1978, is a seminal piece of cinema that redefined the zombie genre and laid the groundwork for countless films that followed. Set in a post-apocalyptic world overrun by the undead, the film begins amidst chaos as society collapses due to a mysterious plague that brings the dead back to life. Focusing on a small group of survivors—two SWAT team members, a television executive, and his girlfriend—they seek refuge in a sprawling shopping mall in the suburban outskirts of Pittsburgh.
As the survivors clear the mall of zombies, they decide to make it their home, utilising the consumerist paradise for their survival. The film explores the psychological and emotional toll of the undead apocalypse on the characters as they grapple with isolation, fear, and the moral implications of surviving in a world where the lines between humanity and monstrosity are increasingly blurred. As the group settles into their new life, tensions rise and personal conflicts emerge, challenging their unity and resilience amidst the ever-present threat of the undead.
The mall serves as both a sanctuary and a prison, symbolising the excesses of consumer culture and inviting deeper commentary on American society during the late 1970s. However, as time passes, they face not only the relentless horde of zombies but also the threat from other living humans who pose a danger just as significant as the legions of the undead. As their numbers dwindle and hope wanes, the stark reality of their situation becomes increasingly apparent, leading to a gripping climax that underscores the fragility of the human spirit.
List of Actors and Their Characters:
- David Emge as Stephen Andrews
- Ken Foree as Peter Washington
- Scott H. Reiniger as Roger DeMarco
- Gaylen Ross as Francine Parker
- Eugene Clark as Captain Rhodes
- Tom Savini as the biker leader (cameo)
- David Crawford as Dr. Foster
Review:
Dawn of the Dead stands as a monumental achievement in the horror genre, a film that expertly weaves social commentary and horror into a narrative that feels both prescient and painfully relatable. Romero’s direction is masterful; he creates an atmospheric tension that grips the viewer from the very first scene. The film’s opening sequence is frenetic, showcasing the rapid descent into chaos as television reports depict the plague’s terrifying spread, and the streets overflow with panic and violence. The rawness of this introduction sets the tone for what is to come and effectively immerses the audience in the dystopian reality that the characters must navigate.
One of the most commendable aspects of Dawn of the Dead is its socio-political commentary. Released during a time of significant societal upheaval—with political tensions, the Vietnam War, and existential crises affecting American life—Romero crafted a narrative that reflects these anxieties, particularly around consumerism. The mall, a central symbol in the film, is initially a place of solace and provision, representing a capitalist utopia. However, as the film progresses, it transforms into a nightmarish enclave, revealing the emptiness of consumer culture and highlighting humanity’s propensity for self-destruction. It is interesting how Romero uses the zombies as a metaphor for mindless consumerism; the undead are drawn to the mall, reminiscent of shoppers who mindlessly traverse the aisles, seeking satisfaction but inevitably finding none.
The film’s character dynamics add depth to the narrative. Stephen Andrews and Francine Parker embody the struggle between hope and despair—Stephen representing the optimistic belief in survival while Francine showcases the pragmatism required in such dire circumstances. Their relationship, tested time and time again, is a microcosm of the larger human experience. Ken Foree’s portrayal of Peter Washington stands out as he embodies strength and intelligence, acting as a stabilising force amidst the chaos. His character’s development throughout the film is also significant; Peter grows from a hardened warrior to a man overwhelmed by the realities of survival. Scott H. Reiniger’s portrayal of Roger DeMarco highlights the transition from confidence to fragility, as he battles the physical and psychological toll of their apocalyptic reality.
Dawn of the Dead also excels in its technical aspects, particularly Tom Savini’s groundbreaking special effects, which set new standards in the horror genre. The practical makeup and gore create a visceral experience, it is both shocking and engaging, pulling the viewer deeper into the horrifying world Romero has created. The infamous scene in which a zombie’s head is smashed with a spade is still iconic, illustrating how the film confronts and embodies fear. Combined with the chilling musical score by Goblin, which moves from eerie and atmospheric to frenetic and chaotic, the sensory experience of the film is heightened, leaving an indelible mark on the audience.
Romero’s ability to balance horror with dark humour is also noteworthy. While the film’s atmosphere is undeniably bleak, moments of levity punctuate the tension, serving to remind the audience of the absurdity of life in such dire circumstances. The irony presented in the characters’ attempts to maintain a semblance of normalcy in the midst of the apocalypse is both humorous and tragic. This balance contributes to the film’s enduring appeal, as it invites viewers to reflect not just on the horror of zombification but also on the absurdities of human existence.
However, it is not without its flaws. The film occasionally succumbs to pacing issues, particularly in the latter half, where character arcs can feel a bit stretched. Yet, this is often overshadowed by the strength of the film’s themes and the emotional resonance of the characters’ journeys. Additionally, some of the more dated elements, particularly in the portrayal of gender roles, may also be viewed through a critical lens in today’s context, highlighting the evolution of horror cinema and societal norms since the film’s release.
In conclusion, Dawn of the Dead is not merely a horror film; it is a profound exploration of human existence in the face of overwhelming odds. Romero’s genius lies in his ability to blend terror and reality, making a statement about the human condition through the lens of the undead. Through its rich characterisation, socio-political commentary, and groundbreaking effects, the film has earned its place in cinematic history and continues to resonate today.
With its ability to both terrify and provoke thought, combined with a cultural significance that exceeds the confines of the horror genre, I would confidently rate Dawn of the Dead an impressive 9 out of 10. It is a must-see for any cinema lover and stands as a testament to the enduring power of horror as a means of storytelling.
