Movie Review: Frankenstein Must Be Destroyed (1969)
Synopsis:
"Frankenstein Must Be Destroyed" is a Gothic horror film directed by Terence Fisher, released in 1969. The film is a continuation of the Hammer Horror series, which centres on the iconic character of Victor Frankenstein, portrayed by the prolific Peter Cushing. Set in Victorian England, the film follows Frankenstein as he desperately seeks a new method to create life, a process that has become increasingly fraught with moral and ethical dilemmas.
The story begins with Frankenstein having fled from his previous experiments in the wake of public outcry surrounding his activities. He is hiding in a boarding house run by the watchful and cunning Anna Spiers, played by Veronica Carlson. The plot kicks into gear when Frankenstein is forced to confront a man named Dr. Frederick Brandt, an old colleague (and rival) who has uncovered his secret past. Brandt is played by the imposing actor, Simon Ward.
In a twist of fate, Frankenstein finds himself entangled with Brandt’s fiancée, the compassionate yet naive Margaret, played by Jennifer Daniel. As tensions rise, Frankenstein abducts Brandt in a bid to coerce him into assisting with his unholy experiments, claiming he needs Brandt’s expertise to create a brain for his latest creation. This new life is to be derived from a notorious criminal, leading Frankenstein further down a path of moral ambiguity fraught with danger.
As the narrative unfolds, Frankenstein’s actions become increasingly desperate and violent, including a horrific scene that involves paternal betrayal and murder. The film also explores themes of hubris, obsession, and the tragic consequences of pursuing forbidden knowledge. The climax spirals into chaos as Frankenstein’s ambitions result in an inevitable confrontation that culminates in tragedy for all involved.
"Frankenstein Must Be Destroyed" not only pushes the boundaries of horror but also raises philosophical questions about scientific ethics and humanity’s relationship with creation and destruction.
List of Actors and Their Characters
- Peter Cushing as Victor Frankenstein
- Veronica Carlson as Anna Spiers
- Simon Ward as Dr. Frederick Brandt
- Jennifer Daniel as Margaret Brandt
- Freddie Jones as the Inspector
- Derek Francis as Police Chief
- Michael Ripper as a Constable
Conclusion
"Frankenstein Must Be Destroyed" is an audacious entry into the world of horror cinema that carries with it the weight of philosophical inquiry alongside the gore and suspense expected from a Hammer production. Peter Cushing delivers a powerhouse performance that encapsulates the manic obsession of Dr. Frankenstein, juxtaposed with moments of vulnerability that render the character tragically human. The direction by Terence Fisher encapsulates the Gothic aesthetics while utilising striking cinematography that transports the audience into a nightmarish realm of science gone wrong.
Hammer Horror’s penchant for visual flair is complemented by its use of practical effects and a score that heightens the emotional stakes. Every frame whispers of desperation, urgency, and moral decay. While some may argue that the film’s treatment of sensitive topics is severe or unyielding, there is an argument to be made for its unapologetic commitment to exploring the darker facets of existence.
However, whilst it excels in building tension and delivering a story rife with existential dread, some pacing issues can detract from the overall experience. There are moments where the tension lags, and the character development of supporting roles often feels secondary to Frankenstein’s continuously spiralling actions. Yet, these flaws do not overshadow the film’s accomplishments and its bold artistry.
In summary, "Frankenstein Must Be Destroyed" is a captivating, if morally complex, exploration of one of literature’smost enduring characters. It remains a testament to the legacy of Hammer Horror and a celebrated entry in the Frankenstein canon. For those willing to embrace its darker themes and occasionally gruesome presentation, the film offers a rich, engaging experience that lingers long after the credits roll.
Score: 8/10
