From Beyond (1986) – A Movie Review
Synopsis:
“From Beyond” is a bold and inventive horror film directed by Stuart Gordon, based on H.P. Lovecraft’s short story of the same name. The film, released in 1986, delves into the realms of science fiction and the macabre, exploring the thin veil that separates reality from the horrific dimensions that lurk just beyond our perception.
The story centres around Dr. Edward Pretorius (Jeffrey Combs), an eccentric scientist who has created a machine called the Resonator, designed to stimulate the pineal gland in the brain and expand human perception. The device’s initial purpose is to unlock the hidden senses of humanity, effectively allowing individuals to perceive the otherwise invisible and intangible planes of existence. However, the experiment takes a nightmarish turn when, after activating the machine, Pretorius and his team discover a horrifying truth: the Resonator not only expands perception but also attracts malevolent entities from another dimension.
Following a tragic accident linked to the experiment, Dr. Pretorius is presumed dead, and the investigation into the bizarre occurrences at his laboratory leads us to Barbara Crampton’s character, Megan Halsey, a psychiatrist tasked with assessing the mentally disturbed Crawford Tillinghast (also played by Jeffrey Combs). Tillinghast, the lone survivor of the experiment gone awry, suffers from severe trauma and bizarre visions from the otherworldly beings unleashed by the Resonator.
As Megan and a detective named Bubba Brownlee (Ken Foree) accompany Crawford back to the laboratory, they find themselves embroiled in a terrifying exploration of the Resonator’s potential, leading to shocking revelations, surreal visions, and encounters with grotesque creatures. As their reality quickly morphs into a waking nightmare, the trio grapples not only with external horrors but with the psychological ramifications of their discoveries, blurring the lines between sanity and madness.
Cast and Characters:
- Jeffrey Combs as Dr. Crawford Tillinghast
- Barbara Crampton as Dr. Megan Halsey
- Ken Foree as Detective Bubba Brownlee
- Ted Sorel as Dr. Edward Pretorius
- Charles Brian as the "crazy old man"
- Lisa K. Hargis as the Feral Woman
Review:
“From Beyond” stands as a quintessential example of 1980s horror, merging the creative vision of Stuart Gordon with the rich, if often bizarre, mythos of Lovecraft. The film explores themes of science gone awry, the existential dread of the unknown, and the inherently fragile nature of reality—ideas that resonate deeply within Lovecraft’s oeuvre.
From an aesthetic perspective, “From Beyond” is striking, characterised by vivid, pulsating visuals that embody a world both enticing and grotesque. The production design, crafted by the talented crew, immerses the viewer in a distinctive blend of high-concept science fiction and body horror. The pulsating fleshy wall surrounding the Resonator and the bizarre creature effects serve as a visceral depiction of Lovecraftian horror, leaving an indelible mark on the genre.
Stuart Gordon’s direction is noteworthy, infusing the film with a palpable sense of tension that escalates as the narrative unfolds. The imagery throughout is both surreal and evocative, continually challenging the viewer’s perception of reality. Gordon’s film often oscillates between deeply unsettling visuals and moments of grotesque dark humour, producing a unique tonality that sets it apart from many traditional horror films of the era.
Jeffrey Combs, in the role of Crawford Tillinghast, delivers a remarkable performance. His portrayal captures the trauma and desperation of a man who has witnessed horrific dimensions of existence. The subtle nuances in his performance ground the character’s increasingly erratic nature as the film progresses, making the character relatable despite the extreme situations he faces. Combs successfully channels the essence of Lovecraft’s tortured souls, simultaneously embodying their scientific zeal and existential despair.
Alongside Combs is Barbara Crampton, who shines as Dr. Megan Halsey. Crampton imbues her character with intelligence and fortitude, portraying a strong-willed psychiatrist unwilling to shy away from the horrors that lie ahead. Her interactions with Combs create an intriguing dynamic, demonstrating both professional integrity and a growing sense of dread as they uncover the twisted truths hidden within the lab.
Ken Foree, best known for his role in “Dawn of the Dead,” delivers a solid performance as Detective Bubba Brownlee. His character provides a grounding presence amidst the surreal horrors, allowing for moments of both comic relief and steadfast courage. The chemistry between Foree and the other leads helps anchor the film even when it veers into the outlandish.
The special effects in “From Beyond” are quintessentially reminiscent of the era, employing practical effects that enhance the visceral horror of the narrative. With the aid of effects maestro Stuart Gordon and his team, we witness a banquet of gruesome transformations and terrifying creatures. The practical effects, reminiscent of the visceral intensity found in films like “The Thing,” not only shock but also serve the thematic undercurrents of body horror and humanity’s frailties. The creatures generated through the Resonator are particularly memorable, embodying Lovecraft’s monstrous beings in both form and concept.
The score by Richard Band is an effective accompaniment to the film, employing a blend of synthesised music and orchestral elements that heighten the suspense and enhance the eerie atmosphere. The sound design also plays a crucial role in establishing a palpable sense of dread, utilising unsettling audio cues that add layers to the film’s already intricate fabric.
However, while “From Beyond” successfully encompasses many elements of horror and science fiction, it is not without its flaws. The rapid pace sometimes sacrifices character development, leaving certain narrative threads feeling somewhat half-formed. Some viewers may also find the blend of horror and humour jarring, depending on individual tastes. Nonetheless, these issues do little to detract from the overall impact of the film.
“From Beyond” also draws attention to the ethical implications surrounding scientific exploration and experimentation. The idea that humanity could unlock new dimensions of existence but, in doing so, invite a relentless horror, resonates deeply with modern concerns surrounding scientific advancements, technology, and the unknown consequences they may bring.
In conclusion, “From Beyond” is not merely a horror film; it is a cerebral exploration of the limits of human comprehension and the terror that lies hidden just beyond our perception. Enriched by stellar performances, striking visuals, and an unsettling atmosphere, Stuart Gordon’s film stands as a testament to the captivating power of Lovecraftian horror. The film challenges us to ponder the boundaries of our understanding, inviting us to question whether the horrors lurking in the shadows might be best left untouched.
Score: 8.5/10