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Horripilations Review of Gerald’s Game (2017)

Gerald’s Game (2017) – Movie Review

Synopsis:
“Gerald’s Game,” directed by Mike Flanagan, is a psychological horror-thriller based on the 1992 novel by Stephen King. The film follows Jessie Burlingame (Carla Gugino) and her husband Gerald (Bruce Greenwood) as they attempt to rekindle their relationship during a weekend getaway at their remote lake house. However, things take a dark turn when Gerald, trying to introduce a new element into their intimacy, handcuffs Jessie to the bed. When he unexpectedly dies of a heart attack, Jessie is left alone, restrained and desperate for escape. She faces not only the physical limitations of her predicament but also her own demons, as she is haunted by traumatic memories and haunting visions. As she fights for survival against the psychological terrors that emerge, Jessie must confront both her past and the reality of her situation, leading to harrowing revelations and a struggle to reclaim her autonomy.

Cast:

  • Carla Gugino as Jessie Burlingame
  • Bruce Greenwood as Gerald Burlingame
  • Chiara Aurelia as Young Jessie
  • Henry Thomas as The Stranger
  • Carel Struycken as The Moonlight Man
  • Makenna Grace as Teenage Jessie

Review:
Mike Flanagan, known for his ability to translate Stephen King’s complex narratives to the screen, has once again delivered a visceral adaptation. “Gerald’s Game” is not merely a story about a woman’s physical struggle to escape a dire situation; it is a profound examination of trauma, fear, and the psychological constraints that often bind us more tightly than any physical restraints.

The film masterfully sets the tone with its serene yet isolating setting. The vast expanse of the lake and the surrounding woods visually encapsulate Jessie’s solitude and vulnerability. As she lies handcuffed to the bed, the static and claustrophobic atmosphere does much to evoke the panic and desperation she experiences. The cinematography, helmed by Michael Fimognari, is exceptional, effectively using light and shadow to build tension. The close-ups of Jessie’s face capture the myriad of emotions she endures, from terror and confusion to sheer determination.

Carla Gugino’s performance is nothing short of stunning. She carries the film with incredible depth and strength, portraying Jessie’s emotional and psychological turmoil with nuance. From the initial horror of her predicament to the stark moments of introspection during her hallucinations, Gugino encapsulates the multifaceted experiences of a woman both victimised and empowered. Her portrayal of Young Jessie, brought to life by Chiara Aurelia, adds layers to her character, offering glimpses into Jessie’s childhood trauma and the roots of her struggles. The connection between the younger and older versions of Jessie deepens the narrative, allowing the audience to understand the lasting impact of her past on her present.

Bruce Greenwood’s performance as Gerald is equally compelling. His character acts as a catalyst for Jessie’s journey; his imposing presence serves as a haunting reminder of her trauma. The juxtaposition of Gerald’s charisma and his darker tendencies creates a chilling dynamic. Greenwood embodies this contrast exceptionally well, making Gerald both intriguing and repulsive. The presence of the “Moonlight Man,” played ominously by Carel Struycken, adds an additional layer of horror that goes beyond the physical threat. He epitomises the abstract fears that Jessie grapples with in her confined state—a tangible manifestation of the psychological shadows lurking in her mind.

Flanagan’s direction is meticulous; he paces the film with a sense of mounting dread that keeps viewers on edge. The dialogue is sparse, with much of the film relying on Gugino’s expressive performance and the haunting visual narrative to convey Jessie’s internal struggle. The script, adapted by Flanagan from King’s novel, effectively distils the essence of the source material while simultaneously modernising certain elements to resonate with contemporary audiences.

One of the film’s most notable aspects is its exploration of trauma and survival. Jessie’s journey is as much about self-discovery and empowerment as it is about the fight for life. The memories that resurface during her ordeal are not merely hallucinations; they represent the unresolved issues that have plagued her for years. Through her confrontation with these spectres of her past, the film delves into heavier themes such as abuse, the silencing of female voices, and the struggle for agency in a world that often seeks to diminish women’s experiences.

The sound design amplifies the film’s tension, with the eerie silence of the lake house often punctuated by Jessie’s frantic breaths and the imagined whispers of her past. This auditory backdrop keeps the audience in a state of suspense, making every creak of the house or rustle in the bushes feel like an impending threat. The score by The Newton Brothers complements the on-screen terror; their haunting melodies interlace with the narrative, enhancing the emotional weight of pivotal moments.

As Jessie’s plight unfolds, viewers are taken on a harrowing journey that is as psychologically intense as it is physically precarious. The film’s climax is both shocking and profoundly satisfying, offering a resolution that is as bleak as it is liberating. Jessie’s final confrontation with the truth is a moment of clarity that serves not just as a plot twist, but as a culmination of her character’s arc—a reclaiming of her story and strength.

However, while “Gerald’s Game” excels in many areas, it is not without its criticisms. Some viewers may find the pacing slow initially, particularly as the film takes time to delve into Jessie’s backstory before focusing on the immediate crisis. Additionally, certain elements may challenge audience sensibilities, particularly the graphic nature of some scenes, which could alienate viewers who are not prepared for the film’s heavier themes. Nonetheless, these attributes also serve to enhance the film’s overall impact, demanding viewers’ attention and investment in Jessie’s journey.

Conclusion:
“Gerald’s Game” stands as a testament to Flanagan’s ability to adapt King’s work with sensitivity and depth. It is a film that transcends its horror labels, diving deep into the human psyche and the influences of trauma and memory. Carla Gugino delivers a powerhouse performance that is both captivating and heartbreaking, supported by an equally strong cast that enhances the narrative’s complexity. The film’s exploration of survival, self-discovery, and confronting one’s past resonates with a haunting power that lingers long after the credits roll. Those willing to embrace its uniquely unsettling journey will find themselves rewarded with a gripping, thought-provoking experience.

Score: 8.5/10

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