Movie Review: It (2017)
Synopsis:
“It” is a supernatural horror film directed by Andy Muschietti, adapted from Stephen King’s 1986 novel of the same name. Set in the fictional town of Derry, Maine, the story unravels in the 1980s and follows a group of misfit children, who collectively refer to themselves as the Losers’ Club. This eclectic band of friends includes the sensitive Bill (Jaeden Martell), the socially awkward Eddie (Jack Dylan Grazer), the tough but compassionate Beverly (Sophia Lillis), the asthmatic but brave Ben (Jeremy Ray Taylor), the street-smart Richie (Finn Wolfhard), and the humorous yet troubled Mike (Chosen Jacobs).
As the children confront the horrors of their daily existence, including bullying and dysfunctional families, they are drawn to an even greater terror: a malevolent entity that takes the shape of Pennywise the Clown (Bill Skarsgård). This ancient creature preys on the town’s children, exploiting their deepest fears to feast on their flesh. As the children begin to come together, they discover the power of friendship and resilience, embarking on a quest to confront the embodiment of their nightmares and put an end to the cycle of violence that has gripped Derry for decades.
List of Actors and their Characters:
- Jaeden Martell as Bill Denbrough
- Jeremy Ray Taylor as Ben Hanscom
- Sophia Lillis as Beverly Marsh
- Finn Wolfhard as Richie Tozier
- Jack Dylan Grazer as Eddie Kaspbrak
- Chosen Jacobs as Mike Hanlon
- Wyatt Oleff as Stanley Uris
- Bill Skarsgård as Pennywise the Clown
- Jessica Chastain as Beverly (in the upcoming sequel, "It Chapter Two")
- Javier Botet as The Leper
- Annabelle Wallis as a supporting character
Review:
“It” successfully combines nostalgia with genuine horror, a feat that immediately sets it apart from many other adaptations of Stephen King’s vast body of work. Muschietti’s direction elevates the film, creating a beautifully bleak atmosphere that permeates the town of Derry. The cinematography, executed by Chung-hoon Chung, showcases a striking visual style that clicks perfectly with the eerie, haunting score composed by Benjamin Wallfisch.
One of the most striking elements of “It” is its exploration of childhood fears—an integral theme that resonates throughout the film. Each character grapples with their own personal demons, reflecting the struggles of growing up. Bill Denbrough, for example, is haunted by the loss of his younger brother, Georgie, which fuels his determination to confront Pennywise. The film deftly handles these emotional arcs, allowing viewers to empathise with the Losers’ Club while also building suspense.
The casting in “It” deserves special mention. Each child actor brings a nuanced performance that breathes life into their respective characters. Jaeden Martell’s portrayal of Bill is particularly poignant, capturing the balance of grief and leadership. Sophia Lillis is equally captivating as Beverly, embodying both strength and vulnerability. The chemistry among the cast truly shines, portraying an authentic camaraderie that pulls viewers wholeheartedly into their struggle.
Bill Skarsgård’s interpretation of Pennywise is a masterclass in horror performance. He eschews conventional clownish traits, instead embracing a more sinister, otherworldly presence that lingers beyond the screen. His haunting laughter and contorted expressions evoke pure terror, effectively utilising the character’s ability to shapeshift into the darkest fears of the children. Skarsgård’s Pennywise is not merely a monster; he represents the repressed trauma and pain that the children must face, both individually and as a group.
Moreover, the film’s pacing is commendable, effectively balancing moments of levity with tension. The Losers’ Club shares relatable interactions, providing comic relief that lightens the oppressive atmosphere. This blend of humour amid horror is a testament to the script’s depth, allowing the audience to breathe between frightful sequences without losing momentum.
A critical factor for any horror film lies in its ability to elicit a genuine sense of terror. “It” undoubtedly succeeds in this regard, unearthing primal fears that reside deep within. The carefully executed jump scares and unsettling imagery serve the core narrative rather than overshadow it, creating a sense of dread that lingers long after the credits roll. The horror is palpably effective; the tension is dialled high, especially during confrontations with Pennywise, leaving audiences both gasping and yearning for resolution.
However, while “It” excels in atmosphere, characterisation, and scares, it does encounter minor pitfalls. The film occasionally relies on familiar horror clichés, veering slightly into predictable territory. Certain scenes, particularly in the third act, feel like established formulas, slightly diminishing the uniqueness that permeates much of the film. Still, these moments do not detract significantly from the overall impact of the narrative.
Furthermore, the film’s depiction of bullying and trauma aligns with the essential theme of confronting one’s fears. It highlights the harsh realities that many children face, complicating the horror genre’s typical portrayal of childhood as simply whimsical. The Losers’ Club’s journey from fear to bravery stands as a beacon of hope amid darkness, emphasising the importance of friendship and support in overcoming adversity.
The cinematographic choices also merit discussion. Chung’s camera work often puts the audience directly in the characters’ line of sight, immersing viewers in the intimate sorrows and joys experienced by these children. The use of vibrant colours in contrast with the sombre undertones of the narrative creates a visually stunning experience, further enhancing the juxtaposition of joy and horror.
As viewers delve deeper into the film, another layer of subtext emerges, namely the notion of collective trauma. The haunting influence of Pennywise extends beyond the individual children, resonating with Derry’s history of violence and neglect. This broader commentary gives “It” a profound depth, compelling the audience to reflect on societal issues surrounding fear, bullying, and unresolved grief.
In sum, “It” (2017) reinvigorates the horror genre with its synthesised blend of nostalgia, psychological depth, and genuine scares. Its exploration of childhood fears, masterful performances, and stunning visuals create an immersive experience that resides long after viewing. While it occasionally dips into familiar horror trope territory, the film’s ability to evoke emotion and tension makes it a standout adaptation in the realm of Stephen King’s works.
Conclusion:
In conclusion, “It” successfully captures the complex interplay of childhood, fear, and camaraderie, presenting a horror experience that transcends mere jump scares. Its powerful themes, coupled with standout performances, particularly from Bill Skarsgård, solidify its place as a modern classic in horror cinema.
Score: 8.5/10
