Movie Review: Malignant (2021)
Synopsis:
"Malignant," directed by James Wan, follows Madison Mitchell (Annabelle Wallis), a woman plagued by terrifying visions of gruesome murders that seem to be occurring in real-time. After a shocking incident involving her abusive partner, Madison finds herself confined to a hospital bed, where she starts experiencing these vivid nightmares. As the murders escalate and the connection between her dreams and the real world grows stronger, Madison must confront her mysterious past and unearth the dark secrets that lie within her. The film intricately weaves together elements of horror, psychological thriller, and supernatural intrigue, culminating in a series of shocking revelations that challenge the viewer’s perception of reality and monstrosity.
Cast:
- Annabelle Wallis as Madison Mitchell
- Maddie Hasson as Sydney
- George Young as Detective Mike Zandon
- Michole Brianna White as Detective Regina Moss
- Jake Abel as Derek Mitchell
- Ingrid Bisu as Valak
- Jacqueline McKenzie as Dr. Florence Weaver
- Waylon McGowan as Gabriel
- Christian Clemenson as a Doctor
- Tessa Lynn as Young Madison
Review:
"Malignant" is reminiscent of David Lynch’s surreal aesthetic intertwined with the gothic horror principles that James Wan has masterfully explored in his previous works like "The Conjuring" series and "Insidious." However, this latest offering diverges from the formulaic jump scares and supernatural hauntings typical of Wan’s latter projects, opting instead for a more bizarre, hellish narrative that feels both fresh and bizarrely inverse for its genre.
One of the hallmarks of "Malignant" is its confident pacing. Wan captures the audience’s attention from the outset with a frenetic assembly of eerie visuals and disorienting sounds, setting the stage for a horror experience that is as unnerving as it is captivating. The film begins with an unsettling prologue in a mental institution where a woman, later identified as Madison’s twin, undergoes harrowing experimentation that introduces the crux of their twisted connection. This foreshadowing of the horrors to come creates an atmosphere of dread that clings to viewers long after the credits roll.
The cinematography by Michael Burgess is a standout, curating a palette that oscillates between stark darkness and vivid colour, enveloping the audience in an immersive and claustrophobic experience. Each frame is meticulously crafted to elicit a sense of discomfort and suspense, with oppressive angles that mirror Madison’s tumultuous psyche. The use of lighting—particularly how shadows dance and merge with the characters—enhances the film’s nightmarish quality, making the audience question what lurks just beyond the edges of vision.
Annabelle Wallis delivers a compelling performance as Madison. Her transformation from a woman shackled by trauma to a figure of resilience and revelation is admirable. Wallis expertly navigates the spectrum of fear, pain, and defiance, inviting empathy from the audience. As Madison uncovers her eerie bond with her twin, Wallis’s portrayal becomes even more harrowing, showcasing her raw emotionality.
The supporting cast, particularly Maddie Hasson and George Young as Detective Zandon, infuse urgency and depth into the narrative, creating a sense of ensemble that grounds Madison’s supernatural experience in a more relatable context. Detective Zandon’s steadfast dedication to uncovering the truth complements Madison’s unraveling mystery, intertwining their fates as they delve deeper into the terror that has besieged her life.
However, the true nature of "Malignant" does not reveal itself until the latter half of the film — a twist that, while bold and ambitious, will surely polarise audiences. Without divulging spoilers, it can be said that the film challenges conventional horror by delivering a narrative where the villain is not merely an external force but an integral aspect of Madison herself. This thematic duality raises profound questions about identity, monstrosity, and the nature of personal demons.
The film’s climax is a rollercoaster of frenetic visuals and visceral action sequences that defy the laws of both physics and the genre. The creativity displayed in these scenes elevates "Malignant" into a realm that is almost operatic in its excess. It pays homage to the slasher genre with a twist, as the antagonist’s manifestations strike unrelenting terror and awe, rendered through elaborate choreography that captures the very essence of madness.
However, while the ambition is lauded, some viewers may find the tonal shifts jarring. The script, penned by Akela Cooper, oscillates between serious horror and campy intrigue, presenting a narrative that can feel disjointed at times. Though some audiences may appreciate this audacity, others may struggle to engage with the film’s increasingly bizarre plot progression as it teeters on the edge of absurdity.
A notable aspect of "Malignant" is its handling of trauma and the intimate emotional fallout it causes. Wan explores how past horrors can manifest into psychological demons, reshaping the landscape of a person’s reality. Through Madison’s experience, the film asks us to consider the source of true monstrosity: is it born from the shadows of our past, or does it emerge from the darkness within?
In conclusion, "Malignant" is an ambitious horror film that boldly challenges the conventions of the genre. While it may not cater to all tastes due to its wild plot twists and tonal shifts, it undeniably presents a fresh and innovative approach to horror. Wan’s distinctive directing style is on full display, keeping viewers engaged and horrified, pushing the boundaries of traditional storytelling. As a thrilling ride that blends visceral horror with an emotional core, "Malignant" asserts itself as a film that begs to be discussed, dissected, and remembered.
Score: 7.5/10
