Movie Review: Prey (2022)
Synopsis
“Prey,” a prequel to the iconic “Predator” franchise, takes viewers back to the year 1719, where we are introduced to Naru, a skilled Comanche warrior portrayed by Amber Midthunder. The film opens within the expansive and beautifully rendered landscapes of the Great Plains, where the narrative explores themes of survival, tradition, and the clash of cultures. Naru, defying the gender norms and expectations of her time, yearns to prove herself as a capable hunter, aspiring to follow in the footsteps of her brother, Taabe, played by Dakota Beavers.
As Naru embarks on her quest to hunt, she inadvertently crosses paths with an extraterrestrial predator, a formidable warrior equipped with advanced technology. The ensuing cat-and-mouse game pits Naru’s ingenuity and skills against the predatory prowess of the alien hunter. The film uses this dynamic to explore not only the struggle for survival but also the relationships within the Comanche tribe and the significance of leadership and heroism in a world rife with danger.
As Naru faces the predator, she must rely on her knowledge of the land, her courage, and her connection to her community to outsmart and ultimately confront a foe that is both a reflection of human violence and an external threat.
Cast List:
- Amber Midthunder as Naru
- Dakota Beavers as Taabe
- Stormee Kipp as Wasape
- Jesse Lee Soffer as the Predator
- Julian Black Antelope as Chief
- Mike Paterson as a French Trapper
- Stefany Mathias as a Comanche Warrior
Review
"Prey," directed by Dan Trachtenberg, is a film that effortlessly breathes new life into the “Predator” franchise while taking it in an unexpected direction. Trachtenberg, known for his work on “10 Cloverfield Lane,” showcases both a deep respect for the original 1987 film while carving a fresh narrative thread that allows the series to evolve.
One of the most commendable aspects of “Prey” is its character development, particularly with Naru. Unlike past films where the human characters have often been overshadowed by the alien threat, Naru stands out as a fully fleshed-out protagonist. Amber Midthunder delivers a powerful performance, showcasing Naru’s strength, intelligence, and vulnerability. Her journey from being underestimated to embracing her true capabilities resonates strongly with contemporary audiences, making her an empowering figure.
The film does an outstanding job of placing Naru in situations where her quick thinking and profound understanding of her environment play a pivotal role. This smartly avoids the common trope of having characters succumb to the terror of overwhelming odds and instead highlights resourcefulness and resilience. Midthunder’s portrayal imbues the character with depth and authenticity, making her struggles and triumphs deeply engaging.
Dakota Beavers, as Taabe, complements Naru’s character beautifully. While he too embodies the protective brother archetype, Beavers adds layers of complexity, revealing a sibling dynamic that isn’t merely about competition or rivalry but also support and encouragement. This relationship becomes crucial as the narrative progresses, grounding the film in familial bonds that audience members can relate to.
The supporting cast also shines, with Stormee Kipp’s Wasape and Julian Black Antelope’s Chief enhancing the portrayal of community and tradition. However, it’s the central conflict against the predator that serves as a magnifying glass on the themes of the film. The predator itself is a well-crafted antagonist, encapsulating a sense of otherness that is both terrifying and fascinating. The design and visual effects ensure that it retains the sense of menace associated with the franchise, while also reflecting the evolution of the creature; it’s not merely a hunting machine, but a complex entity with its own motivations.
One striking aspect of “Prey” is how it portrays the great outdoors as a character itself. The cinematography by Jeff Cutter captures the expansive beauty of the rugged terrain while also amplifying the tension and uncertainty of Naru’s journey. The sweeping landscapes serve as both sanctuary and battleground, offering moments of tranquillity interspersed with visceral action sequences that keep the viewer on edge.
The film’s pacing is deliberate, allowing for character development and world-building before unleashing the relentless hunt. This helps to anchor the action sequences, ensuring they are grounded in the emotional stakes established earlier in the film. The tension builds gradually, leading to a thrilling climax where Naru definitively confronts the predator. These scenes are both exhilarating and satisfying, marked by clever choreography that showcases Naru’s adaptability.
The score, composed by Sarah Schachner, adeptly complements the film’s atmosphere, combining the natural sounds of the environment with a haunting score that accentuates Naru’s perilous journey. The sound design overall deserves commendation; the nuanced layers amplify the sense of urgency and danger, creating an immersive experience that pulls viewers into Naru’s world.
The film tackles broader themes of colonialism and the impact of external forces on indigenous cultures, though it does so without sacrificing entertainment. The narrative subtly invites viewers to reflect on the historical context of Native American interactions with European settlers and how these dynamics mirror the alien presence in the film.
“Prey” also skilfully criticises machismo, often prevalent in action films. The traditional male hunter model is challenged through Naru’s character, who transcends these clichés by embodying strength without requiring validation through violence alone. Her journey suggests that true strength comes from wisdom, strategy, and a connection to one’s heritage, rather than brute force.
The film isn’t without its criticisms, particularly regarding its pacing in certain scenes that may feel drawn out to viewers accustomed to rapid-fire action sequences. However, these moments often serve to enhance emotional depth, which ultimately pays off during key confrontations. Some audience members may find the experience slow initially, yet it establishes a narrative richness that is rewarding upon reflection.
In conclusion, “Prey” emerges as not just a worthy entry into the “Predator” franchise but a standalone film that captivates and resonates. Its forward-thinking depiction of a strong female lead, combined with nuanced storytelling and spectacular visuals, sets a new benchmark for action thrillers, particularly within the realm of sci-fi. The film not only challenges conventions but also invites contemplation on the complexities of survival, identity, and humanity’s place in nature.
With its compelling performances, rich lore, and authentic representation of the Comanche culture, “Prey” stands as a refreshing yet reverent addition to the series, proving that the hunt is not merely for sport, but a testament to the endurance of the human spirit.
Score: 9/10
