Saint Maud (2020) – Movie Review
Synopsis
“Saint Maud” is a psychological horror-drama film that delicately weaves themes of faith, obsession, and mental turmoil. The film, directed by Rose Glass, centres around Maud (played by Morfydd Clark), a deeply devout nurse who has recently turned to religion following a traumatic incident in her past. She is assigned to care for Amanda (Jennifer Ehle), a terminally ill dancer who exudes a hedonistic and carefree spirit. As their relationship develops, Maud becomes increasingly fixated on saving Amanda’s soul, believing it is her divine mission to guide her away from her sinful lifestyle. This troubling mix of compassion and fanaticism leads Maud down a dark path, where her fervent beliefs clash brutally with her fractured psyche.
From the outset, the film creates an atmosphere of unease, combining visual artistry with a gripping narrative that probes the depths of religious fervour and personal obsession. Maud’s descent into madness is depicted with a disturbing grace, allowing viewers to glimpse her internal struggles as she oscillates between her saintly aspirations and her terrifying delusions. The juxtaposition of Maud’s piousness against Amanda’s worldly desires culminates in a haunting exploration of the complexities of faith and the fragility of the human mind.
Cast
- Morfydd Clark as Maud
- Jennifer Ehle as Amanda
- Lily Knight as Cora
- Rosie Sheehy as Caroline
- Turlough Convery as the Priest
Review
“Saint Maud” excels in creating a palpable tension that resonates throughout its runtime, driven by a powerful performance from Morfydd Clark. As Maud, Clark embodies a nuanced portrayal of a character torn between her faith and her apparent mental instability. The emotional weight she carries is expertly conveyed, revealing layers of vulnerability and zeal that make her journey both compelling and tragic.
The cinematography in “Saint Maud,” crafted by Ben Farrell, plays a critical role in shaping the film’s psychological landscape. The stark, often claustrophobic visuals underline Maud’s isolation, both physically and mentally, as she navigates her world. The haunting use of light and shadow complements the narrative, evoking a sense of dread while simultaneously highlighting moments of spiritual ecstasy. The imagery of Maud in her scrubs, juxtaposed against the vibrancy of Amanda’s decadent lifestyle, reinforces the thematic contrasts prevalent in the film.
Jennifer Ehle’s portrayal of Amanda provides an essential counterbalance to Maud’s character. Ehle imbues Amanda with a combination of worldly charm and deep-seated vulnerability, showcasing her own struggles with mortality and addiction. The chemistry between Maud and Amanda is electric, and as their relationship evolves, it becomes a powerful commentary on the intersections of salvation and damnation.
The film’s pacing is meticulously crafted, building tension in a way that feels both organic and deliberate. Moments of quiet introspection are interspersed with jarring encounters that punctuate Maud’s psychological unraveling. Glass deftly manages to guide the audience through Maud’s fixation on her mission, allowing viewers to empathise with her yearning to be a saviour, even as the outcome becomes increasingly foreboding.
As much as “Saint Maud” delves into the personal and psychological aspects of faith, it also prompts contemplation about the broader implications of religious devotion. The film invites critical thought regarding the nature of devotion and the fine line between faith and fanaticism. Within its narrative, it poses profound questions about the potential for delusion when zealots believe they are divinely chosen—reflecting societal issues regarding religious extremism.
Moreover, the film does not shy away from exploring the complexities of mental illness. Maud’s character is marked by her traumatic past, suggesting that her fervour for piety may be as much an escape from her previous life as it is an act of genuine devotion. Glass skillfully intertwines themes of trauma with spirituality, demonstrating how the two can interact to create a fertile ground for obsessive tendencies and destructive behaviour.
The supporting characters, such as Cora (Lily Knight) and Caroline (Rosie Sheehy), are utilized effectively to highlight Maud’s isolation and singularity of purpose. They serve as foils to her character, further contrasting her deep religious beliefs with the scepticism and sceptical attitudes of the outside world. These interactions subtly reveal different perspectives on faith and the human condition, enriching the narrative complexity.
“Saint Maud” culminates in a spellbinding finale that resonates long after the credits roll. The climax is both shocking and thought-provoking, plunging the audience into the depths of Maud’s turmoil while offering a chilling resolution to her arc. It compels viewers to grapple with the implications of Maud’s actions, leaving an unsettling question hanging in the air: what, if anything, defines true faith?
In terms of production design, the film features a minimalist yet effective aesthetic. The settings, from the stark confines of Maud’s flat to the more opulent spaces where Amanda holds her gatherings, enhance the narrative’s themes. The contrast between environments mirrors the vast differences in the characters’ lives, emphasising the battle between the sacred and the profane.
Glass’s direction is both assured and innovative, as she crafts a story that is visually arresting and emotionally haunting. The film balances realism and surrealism, blurring lines between the external world and Maud’s subjective experience, which culminates in a richly textured film that challenges and engages the viewer.
The score, composed by Adam Janota Bzowski, further elevates the film’s atmosphere. Its dissonant tones and haunting motifs amplify the psychological tension, creating a pervasive sense of dread that perfectly aligns with Maud’s spiralling descent. The sound design seamlessly integrates with the visuals, enhancing the viewer’s immersion in Maud’s troubled psyche.
Conclusion
“Saint Maud” is an exceptional offering in the realm of psychological horror, skillfully merging themes of faith, obsession, and mental health. With standout performances, particularly from Morfydd Clark, paired with stunning cinematography and direction, the film emerges as a haunting examination of belief and the human condition.
The unsettling psychological landscape Glass creates will resonate deeply, leaving audiences with lingering questions about the nature of faith and the consequences of obsession. While it may not suit everyone due to its slow-burn approach and harrowing themes, those who appreciate depth in horror narratives will find themselves rewarded with an experience that is both provocative and poignant.
Score: 9/10