Movie Review: Rabid (1977)
Synopsis:
"Rabid" is a 1977 Canadian body horror film directed by David Cronenberg, an auteur well-known for his fascination with the intersection of technology and the human body. The film stars Marilyn Chambers as Rose Miller, a young woman who undergoes a radical and experimental surgical procedure following a motorcycle accident that leaves her severely injured. The operation, performed by the enigmatic Dr. Keloid (played by Frank Moore), inadvertently leads to the development of a strange, phallic appendage under her armpit that secretes a potent aphrodisiac toxin.
As Rose recovers, she finds herself imbued with insatiable, bloodthirsty urges that compel her to attack unsuspecting victims, turning them into rage-fueled creatures. The narrative unfolds against a backdrop of societal fear and paranoia—an epidemic of rabies begins to propagate as Rose’s victims spread the infection. The film explores themes of sexual repression, bodily autonomy, and the consequences of unchecked medical experimentation, all set within a darkly surreal and unsettling storyline.
Cast of Characters:
- Marilyn Chambers as Rose Miller
- Frank Moore as Dr. Keloid
- Howard Ryshpan as Phelen
- Patricia Gage as a nurse
- $en Cey as a patient
- Gary McKeehan as a man
- John P. Connolly as the doctor
Review:
From its very inception, "Rabid" manages to captivate its audience through its unsettling premise and dark exploration of human sexuality intertwined with horror. David Cronenberg, often hailed as the master of body horror, utilises the film not only to shock but to delve deeper into the psychological dimensions of fear and desire.
At its core, "Rabid" reimagines classic vampire lore, pushing the boundaries of horror by merging sexual awakening with a monstrous transformation. As Rose undergoes her post-surgical metamorphosis, her encounters with men devolve from intimate and tender moments to violent and grotesque manifestations of desire—illustrating a visceral allegory of repressed sexuality. Cronenberg’s choice to cast porn star Marilyn Chambers in the lead role is a bold move that accentuates the film’s exploration of sexual liberation amidst the birth of a monstrous alter ego. Chambers’s duality becomes a focal point of the narrative, as her character oscillates between vulnerability and visceral ferocity.
The direction by Cronenberg is nothing short of masterful; he crafts an atmosphere steeped in dread, emphasising the claustrophobia of both the physical and psychological settings Rose inhabits. The film takes place in a quasi-realistic Canadian suburbia, where the veneer of everyday life is peeled back to reveal an undercurrent of chaos and impending horror. The cinematography by Mark Irwin also contributes to this chilling ambience, with unsettling close-ups and starkly lit sequences enhancing the film’s tension and horror.
One aspect that stands out is the chilling sound design, which creates an unending sense of discomfort. The ominous score by Howard Shore—who would go on to compose music for films such as "The Lord of the Rings"—is low, haunting, and possesses an otherworldly quality, reinforcing the sense of dread that permeates throughout the film.
As Rose succumbs to her new identity as a predator, the societal implications of her actions play out within the narrative’s societal framework. Cronenberg successfully critiques the prevailing attitudes towards sexual desire, violence, and illness, blending them into a harrowing commentary on how society reacts to the unknown, which is particularly resonate in an era marked by the fears surrounding STDs and societal embarrassment over sexual topics. The infection that spreads from Rose connects viral transmission with sexual promiscuity and a puritanical fear of lost control, allowing for contemplation of personal and societal responsibility.
The performances within the film are compelling, with Marilyn Chambers delivering a striking performance that balances the fragility of her character with its violent urges. Frank Moore as Dr. Keloid presents a character whose intentions seem altruistic yet ultimately contribute to the chaos, embodying the role of the mad scientist archetype but with a modern twist. The supporting cast adds depth to the narrative, grounding the film in a relatable experience that contrasts sharply with the grotesque horror that unfolds.
Despite its brilliance, "Rabid" does have its shortcomings. The pacing occasionally falters, and certain sequences may feel prolonged or drawn out, potentially losing the intensity for viewers unaccustomed to Cronenberg’s style. Some of the effects—while innovative for their time—might come across as dated to modern audiences, potentially undermining the visceral horror intended. However, rather than detracting from the overall experience, these elements can serve to heighten the film’s charm as a cult classic, offering a glimpse of the imaginative risks that early body horror films undertook.
In conclusion, "Rabid" stands as a landmark in the horror genre and a testament to David Cronenberg’s unique vision. It intertwines themes of sexuality, monstrosity, and societal fear, serving as an unsettling reflection on the modern condition. The film’s exploration of the human psyche amidst a backdrop of horror continues to resonate, ensuring its place in the pantheon of significant horror cinema. While it may not be for the faint of heart, for those willing to engage with its subtext, "Rabid" offers a thought-provoking experience wrapped in the guise of a horror film.
Score: 8.5/10.
