1960s Horror Movie ReviewsHorripilations Movie Reviews

Horripilations Review of The Gorgon (1964)

Movie Review: The Gorgon (1964)

Synopsis

In the quaint and picturesque village of Vandorf, a dark curse looms over the locals. The Gorgon, a mythical creature from ancient Greek mythology, has returned to claim victims, transforming them into stone with just a glance. The film opens with a series of mysterious deaths that grip the village in fear, each victim leaving behind a blood-chilling mark of petrification. The unsettling atmosphere is amplified by the ominous presence of the local castle, where the titular Gorgon is thought to reside.

As trouble brews, a young artist named Paul nascently arrives in Vandorf, compelled to uncover the truth behind the disappearances. His quest intertwines with the woman he loves, the tragic and frail Lisa, as well as Lisa’s beleaguered father, a key figure entwined in the cursed history of the village. Their lives are further entangled with those of two villagers, one of whom possesses knowledge of the Gorgon’s enduring myth.

As Paul digs deeper, he discovers that the Gorgon is no mere monster but a tragic figure herself, cursed by the gods for her beauty and ultimately losing her mind to madness. The film expertly weaves themes of love, sacrifice, and the tragic ramifications of fear. The more Paul uncovers about the Gorgon, the more he realises that the true horror may not simply be her monstrous façade, but also the darkness hidden within mankind.

Cast of Characters

  • Peter Cushing as Professor Sir Alan Browning: A knowledgeable archaeologist with a deep understanding of the Gorgon myth, Sir Alan acts as Paul’s mentor and guide through the perilous uncovering of the village’s dark past.

  • Christopher Lee as Bartholomew: A local man deeply affected by the Gorgon’s legacy. His character adds depth to the tale of loss and despair that encapsulates Vandorf.

  • Barbara Shelley as Lisa: A tragic figure caught in the curse’s web; she represents the human element amid the supernatural chaos, linking Paul to the ominous history of the area.

  • Richard Pasco as Paul: The heroic and determined artist who seeks to understand the mysterious events plaguing the village while simultaneously attempting to save Lisa from her fate.

  • Patrick Troughton as Father de Montalto: A priest embodying the anxious tension between the sacred and the sinister; he attempts to confront the terror of the supernatural in Vandorf.

Review

"The Gorgon" is a remarkable example of Hammer Film Productions’ ability to blend gothic horror with classical mythology, directed by Terence Fisher, a master of the genre. The film is lavishly produced, with a strong emphasis on atmospheric visuals and haunting soundscapes that fully immerse the viewer in the eerie setting of the film. The sepulchral tone created by the cinematography effectively captures the chilling tension that pervades Vandorf, underscoring the dichotomy between its serene exterior and the horrors festering beneath the surface.

One of the standout aspects of "The Gorgon" is its character development, notably with its titular creature. Unlike many horror films of its time, which often portray monsters as mere antagonists, "The Gorgon" crafts a nuanced portrayal of its monster, eliciting empathy from the audience. The film invites the viewer to reflect on the nature of monstrosity and highlights a poignant theme: the chain of misfortune that connects the victims to their tormentor. The Gorgon is ultimately revealed to be a tragic figure, cursed for her astounding beauty—a powerful exploration of how societal standards and fears can create monsters out of innocent beings.

Peter Cushing delivers a stellar performance as Professor Sir Alan Browning, showcasing his signature style of combining intellect with emotional depth. His character’s authoritative knowledge of the Gorgon myth adds a layer of intellectual intrigue to the narrative, as he guides Paul through a treacherous path fraught with confusion and dread. Cushing’s experience and gravitas are perfectly complemented by Christopher Lee’s portrayal of Bartholomew, an enigmatic character who embodies the despair etched in the villagers’ psyche. Lee, with his unmistakable presence and intensity, adds an additional layer of complexity to the unfolding events and reinforces the chilling atmosphere.

Barbara Shelley’s portrayal of Lisa is noteworthy as well; her character’s inherent fragility resonates deeply. Lisa serves not merely as a damsel but as a catalyst for Paul’s quest to confront the peril posed by the Gorgon. As he seeks to save her, the stakes are raised, and the narrative effectively oscillates between moments of tension and tenderness, culminating in an unforgettable climax.

The film’s pacing, however, leaves something to be desired. There are moments where the story meanders, creating stretches that may challenge a modern audience’s attention span. Additionally, despite its compelling thematic explorations, some viewers may find the execution of certain plot points predictable. However, this can be overlooked in light of its significant victories in atmosphere, characterisation, and moral reflection.

Fisher’s direction shines in some of the film’s more artistic sequences, particularly the terrifying transformations that punctuate the tension. The brief glimpses of the Gorgon—whose visage is carefully concealed for much of the film—heighten her mystique, ensuring that the reveal carries weight. By maintaining an air of uncertainty, the film eschews the common horror trope of revealing too much too soon, weaving suspense and intrigue throughout.

The cinematography, helmed by the talented Douglas Slocombe, provides a visually compelling narrative. His use of shadows to evoke the lurking fear of the Gorgon enhances the film’s atmospheric tension. Furthermore, the haunting score, composed by James Bernard, complements the visual storytelling with crescendos that match the escalating horror within the plot. The chilling motifs echo the longing despair of the characters, enhancing both their inner struggles and the supernatural elements that ensnare them.

The thematic interplay between fear and sympathy ultimately fuels the film’s enduring relevance, inviting audiences to reflect on how society vilifies those who are different or misunderstood. "The Gorgon" cleverly juxtaposes the traditional monster movie with deeper moral concerns—highlighting how fear often accompanies hatred and misunderstanding.

Conclusion

"The Gorgon" is a thoughtful, richly textured horror film that successfully merges gothic atmospherics with compelling character exploration. With brilliant performances from Peter Cushing, Christopher Lee, and Barbara Shelley, the film transcends typical genre tropes, allowing for a nuanced discussion of monstrosity and humanity. While its pacing may falter at times, the film is resolutely effective in delivering emotional depth and psychological horror. Overall, "The Gorgon" stands the test of time, remaining a distinguished title in the pantheon of horror cinema.

Score: 8/10.

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