The Howling (1981) Movie Review
Synopsis
“The Howling”, directed by Joe Dante and released in 1981, is a seminal horror film that has been celebrated for its innovative special effects, striking cinematography, and social commentary. The narrative follows TV news reporter Karen White (played by Dee Wallace), who, after a traumatic encounter with a serial killer named Eddie Quist (Robert Picardo), is sent to a remote retreat called The Colony to recuperate and gain perspective on her recent experiences. Accompanied by her husband, Bill (Christopher Stone), Karen seeks to reclaim her life while also investigating the dark secrets surrounding The Colony, which is inhabited by a close-knit community with peculiar behaviour.
As the story unfolds, Karen begins to uncover the unsettling truth about The Colony and its inhabitants—who appear to possess extraordinary traits that hint at their wolf-like nature. The film artfully blends horror and suspense, exploring themes of primal instincts and transformation, all while creating an atmosphere of growing tension. As events spiral out of control, Karen must face the terrifying reality of what lurks in The Colony, as she encounters not only the supernatural but also the fear of losing her humanity amidst a rising tide of animalistic frenzy.
List of Actors and Their Characters
- Dee Wallace as Karen White
- Christopher Stone as Bill Neil
- Robert Picardo as Eddie Quist
- Dick Miller as Walter
- Belinda Balaski as Terry
- Patrick Macnee as Dr. George Waggner
- John Carradine as a Radio Character (voice)
- Elizabeth Brooks as Marsha Quist
- Foree G. as the Wolfman
- William A. Zabka as a Specialist
- Jim McKrell as a Police Officer
Review
“The Howling” stands out as one of the defining wolf-horror films of its era, serving as a fierce and artistic reflection of its time. Director Joe Dante’s vision shows a brilliant understanding of horror tropes while adding unique stylistic elements that elevate the material. At the heart of the movie is a profound investigation into the duality of human nature—a being composed of civility, morality, and an innate, primal instinct to survive at any cost.
From the very first sequences, Dante sets a tense atmosphere rife with fear and uncertainty. The film opens with an arresting scene in which Karen confronts Eddie Quist in a derelict, darkened alley. This encounter, laden with tension and horror, lays the groundwork for what is to come, introducing the audience to a world where the familiar swiftly morphs into the grotesque.
Dante’s utilisation of practical effects is nothing short of groundbreaking. The transformation sequences, especially those of Eddie Quist, are among the film’s hallmarks, showcasing Rob Bottin’s extraordinary make-up and special effects work. The skin-tearing metamorphosis into a werewolf is both grotesque and beautifully realised, capturing the painful transition between human and beast. The physicality of the transformations is visceral, and these scenes remain as memorable today as they were at their inception.
The cinematography by Dean Cundey enhances this visual storytelling, as he adeptly captures the eerie, lush scenery of the woods surrounding The Colony. Shadows play a crucial role, lending an oppressive feeling to many scenes, as if danger lurks just out of sight. This, coupled with the sound design (which includes chilling howls and unsettling ambient noises), creates an immersive environment that successfully unsettles the audience.
Dee Wallace’s portrayal of Karen is commendable; she effortlessly evokes both vulnerability and strength throughout her character’s evolution. Her transformation from a terrified survivor to a decisive individual who ultimately must confront the terrifying reality of werewolves is compelling and relatable. Wallace conveys a depth that mirrors the human experience of grappling with fear and instinct, making her a sympathetic protagonist.
Christopher Stone, playing her husband Bill, delivers a strong performance as well, providing a supportive yet increasingly alarmed presence as the truth unfolds. Their interactions reflect the strain on relationships when faced with external forces, which serves as a backdrop to the supernatural elements of the narrative. The emotional core of the film is enriched by the tension between love, fear, and the unknown, offering a more nuanced exploration of the horror genre.
The supporting cast also complements the primary narrative, particularly Robert Picardo as the enigmatic Eddie Quist. His portrayal of the tortured character, straddling between villain and tragic figure, adds layers to the story. Picardo’s performance delivers a chilling reminder of what it means to be both predator and prey. Moreover, Patrick Macnee, as Dr. George Waggner, delivers a notable performance as a seemingly sophisticated figure hiding dark secrets, as his character becomes a symbol of duplicity.
While “The Howling” is firmly entrenched in the horror genre, it also appears to critique societal structures and the nature of community. The Colony, which ostensibly appears idyllic, is revealed to be a façade for untamed instincts and primality. This intent serves as a metaphor for humanity’s struggle between an ingrained sense of civility and the tumultuous energy of one’s baser instincts. The film hints at the idea that under the veneer of social order, chaos reigns—a notion that resonates with audiences even decades later.
Moreover, the narrative structure provides a refreshing take on the werewolf mythology. Instead of simply presenting werewolves as mindless monsters, “The Howling” explores their origins and the psychological implications they carry. The film delves into the idea of transformation—both literal and metaphorical—offering an intriguing commentary on identity and existentialism. This layered storytelling allows the audience to engage with the material on different levels, transcending the horror genre to touch on more profound themes of human nature.
Despite its many strengths, "The Howling" is not without its flaws. The pacing can feel uneven at times, particularly in the middle acts, where audience engagement might wane amid exposition-heavy moments. Some viewers might also perceive the film’s tonal shifts—ranging from moments of stark horror to unintended comedic elements—as jarring. However, the film’s rich themes and memorable sequences compensate for these minor inconsistencies.
As the film approaches its climax, the intensity ramps up, drawing the audience into a final confrontation that truly tests Karen’s resolve. The tension crescendoes into an exhilarating finale, culminating in a thrilling clash that reveals the extent of the community’s secret. This active engagement encourages the audience to reflect on the nature of transformation, both personal and collective, leaving a lasting impression long after the credits roll.
In conclusion, “The Howling” stands as a landmark in horror cinema, successfully merging exploration of primal instincts with social commentary. With a captivating performance from Dee Wallace and an exceptional support cast, the film offers a chilling yet thought-provoking experience. The crafting of special effects, the atmospheric cinematography, and the poignant screenplay culminate in a timeless classic that has greatly influenced the werewolf genre. Though it may have its pacing issues, the film’s rich themes and stylistic bravado make it an essential entry in the horror canon.
Score: 8.5/10
